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Stuff We Like

  • Jack Rose's Luck in the Valley

    Jack Rose

    Jack Rose died suddenly in December, leaving behind a nice body of work including Kensington Blues, Raag Manifestos, and Two Originals. Noted mostly for his American Primitive solo guitar music, Rose’s previous two records Dr. Ragtime and Pals and Jack Rose and the Black Twig Pickers present a shift to a full-bodied sound featuring other players. Luck in the Valley, released last month as his last album, continues this progression. It is tempting to read the pathos of his death into songs like the excellent “Blues For Percy Danforth”, which sounds closer to his earlier Takoma-inspired work. And in a way, it would be nice to hear more “serious” tracks that can be linked up into some kind of meaning-of-death constellation. For fans with this mindset, Luck in the Valley might be disappointingly happy. But it would be unfair to begrudge Rose’s last album for emphasizing fun and enjoyment over theoretical depth. John Fahey infamously dismissed his earlier work as “cosmic sentimentalism,” a criticism that seems to strike more at the expectations of listeners than the quality of his music. If we move beyond considering Rose’s songs as spiritual mood enhancers, there is a lot of good music to enjoy on Luck. Rose sounds like he was having a good time at the end.  -- Scott Coomes

  • Thump Culture

    Thump Culture

    Described by its creator — talented illustrator Neill Cameron — as "a martial arts rom-com slice of life soap opera," this webcomic is about the lives of the people who run and participate in an alternate universe fight club known as "The Thump." The story, at least the first part of it, aligns itself with the perspective of Catriona, a down-on-her-luck paramedic whose life turns around when she responds to an ad that leads to her becoming The Thump's resident nurse. I like her, because she's spunky and doesn't have inhumanly pneumatic bodily proportions. Equally charming is Alex, who videotapes the fights to later sell on the internet to "a certain kind of teenager that'll lap that shit up." Read the comic, cry when you hit the last page and realize you're all caught up and now have to wait for future installments which might not ever come due to Cameron's being a kickass illustrator who now gets paid for his awesome skills, and then check out Cameron's personal site, which offers a nice peek into his process.  -- Erin Price

  • The Form of Paranoia in All the President's Men

    Woodward and Bernstein

    All the President's Men is rightfully known as the best movie about journalism ever made, but it's most notable for not focusing its paranoia in the form of several nefarious people. The last film in director Alan Pakula's "paranoia trilogy" (which includes Klute and The Parallax View), All the President's Men is notable in the genre for never depicting the agents of paranoia that torments reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman). Yes, we know them to be agents of the Nixon Administration, but because they're never seen in the movie, it's never clear exactly what constitutes a victory in the fight against corruption. We know that the reporters' lives are in danger, but from whom? The CIA? FBI? Deep Throat says "everybody is involved," after all. Woodward and Bernstein's reports eventually result in the imprisonment and resignation of Nixon and his cronies, yet Pakula downplays it with the perfunctory rattling off of punishments on The Washington Post's press in a manner fitting the lack of closure of lenient punishments for a few solitary figures. The institutional rot went deeper and will persist as long as culprits remain identified. You may not see anyone over your shoulder, but that doesn't mean they're not somewhere.  -- Eric Freeman

From the Vault

Things that died in 2008.

Our president pledged as primary candidate to staunchly defend individual civil liberties and curb the domestic intelligence abuses of the Bush Administration. As the Democratic candidate, he hedged. As president-elect, he made stunning about-faces, notably on immunity for telecommunications companies who cooperated with Bush's illegal requests. Now, as president, he's continued as many of Bush's abuses as he's curtailed. Also, there was a time when John McCain wasn't an unprincipled, dishonorable bigot. He was quite the man, when he was a man. Then came a succubus to hasten his by then inevitable decline.

Snapshots of Proof: Sloppy Thinking on Climate Change

Kevin Hilke

Al Gore in "An Inconvenient Truth"

Lest we dismiss the effects of dogged right-wing psychosis on the issue of climate change as innocuous, via Gristmill’s David Roberts, via Ezra Klein, come reports that The Politico reporter Erika Lovley, instead of researching her stories dealing with climate change, has been parroting long discredited right-wing talking points lifted from Congressional Republicans’ press releases. The Politico has a large and varied enough audience for its implicit endorsement of misstatements and falsehoods about climate change to be a serious problem. Unsurprisingly, Lovley holds up easily-lacerated former Vice President Al Gore as the embodiment of all things related to climate change. Here’s Roberts on one of a handful of Lovley’s grossly negligent stories:

In the entire article, not one scientist is quoted defending basic global warming consensus, which is supported by a vast array of peer-reviewed research and the vast majority of climate scientists. The one countervailing quote goes…to Al Gore’s spokeswoman.

With due respect to Al Gore, The Politico’s correspondents should know to contact climate scientists, not Al Gore’s office, when they want to talk about climate science. Klein:

It’s incredibly embarrassing that The Politico published these stories. But it’s not necessarily surprising. The stories read like they’re written by a political reporter who got tossed on the environmentalism beat, and that seems to be pretty close to the case. Lovely [sic] is a writer for the lobbying section, but she’s writing about climate science. I can’t speak to whether she has a background in climate science, but if she does, it’s sure not evident. Which is how, presumably, we get stories about the “Gore Effect,” in which it gets colder when Al Gore gives speeches (”While there’s no scientific proof that The Gore Effect is anything more than a humorous coincidence, some climate skeptics say it may offer a snapshot of proof that the planet isn’t warming as quickly as some climate change advocates say.”) and how we end up with articles that manage to argue that global climate cooling science is convincing scientists but doesn’t mention any of the science or the newly convinced scientists.

As Klein says, this isn’t terribly surprising. Lovley’s negligence, while certainly a personal failing, is a common and necessarily forgivable one; it is indicative of a larger problem with the way we as a society think about cause and effect in the public sphere. Individuals like Lovley, whose goodwill and sincerity we have no good reason to doubt—and there are many of them—have never been properly taught what counts for proof. Lovley:

While there’s no scientific proof that The Gore Effect is anything more than a humorous coincidence, some climate skeptics say it may offer a snapshot of proof that the planet isn’t warming as quickly as some climate change advocates say.

A “snapshot of proof”? What is that?

It is a hypothesis hardened through attrition. It is a projection of what proof would look like. If the projection is reiterated with enough frequency and force, it has enormous potential to become self-fulfilling. That is, in the eyes of those who have no knowledge of a set of corporeal circumstances outside of their situation within the context of the theoretical projection, the circumstances, simply by persisting as they always have, appear to vindicate the theory, which then becomes, with no empirical basis, accepted wisdom—or, dogma. A “Gore Effect” is posited based on circumstances; circumstances persist, seemingly solidifying and legitimizing, for the untrained, the “Gore Effect”’s inherent equivalence with those circumstances themselves. So for Lovley and so many others, a predictive picture of what proof might look like is conceptually confused with proof itself—and the “snapshot of proof” is born. Even if there were solid “proof” that “the planet isn’t warming as quickly as some climate change advocates say,” that in itself would nothing beyond precisely what it says: that some “climate change advocates” might, intentionally or not, be hyperbolizing. It would say nothing whatsoever about scientific fact. Lovley’s negligence here has nothing to do with her climate-change expertise or lack thereof, though some expertise couldn’t have hurt. Her negligence, like that of so many others in the media and certain wings of the social sciences, consists in never having been persistently trained in the art of rigorous thinking.

Category: Briefs, Policy and Politics, Thought and Society

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