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Stuff We Like

  • The Vice Guide to North Korea

    North Korea

    This brilliant and disturbing documentary takes you deep into the shallows of Kim Jong Il’s hermit kingdom. Somehow, Vice Magazine’s Shane Smith (founder of VBS, Vice’s video division and star of their Guide to Travel series) and a clandestine-camera-wielding companion secure passage into North Korea from China -- pretending to be tourists, of course, because journalists go to jail. For an hour Smith explores the thin, saccharine veneer of majesty and might that the dictatorship uses to obscure the truth about the desperately impoverished and broken country. He mingles with eerily upbeat hosts, waitresses and tour guides, all hand-picked to chaperone him 24/7 during his stay (the pretense of which is to view and report on the Arirang Mass Games, a spectacular orgy of propaganda and gymnastics too baffling for words). Complete with a heartbreakingly awkward karaoke rendition of the Sex Pistol’s "Anarchy in the U.K.," this documentary is a must-see: a visceral primer for anyone interested in understanding the uniquely other-worldly yet backwards North Korea.  -- Adam Schaefer

  • The Art of Marco Fusinato

    Marco Fusinato

    Music, math, the interactive: these are three things that I really like, and Marco Fusinato's art includes them all. Mass Black Implosion is probably my favorite of his projects -- it reimagines musical scores, sometimes by overlaying them with scribbles of varying thickness (maps to some imagined territory), in architecturally-precise lines (an explosion into three dimensions), or as some kind of gloriously strange infographic for the world to come. Aetheric Plexus, in sharp contrast, turns audiovisual detail into interactive assault. It's difficult to get a sense of the scope of some of these works, but it's evident that Fusinato's gallery showings include a vast collaborative and musical component -- I'd love a chance to see some of this stuff live -- and I'm quite taken with his curatorial series You Don't Have to Call it Music, which tasks visual artists to create music.  -- Lauren Caldwell

  • Dianne Wiest's Old Face

    Dr. Gina Toll

    Dianne Wiest first struck me as the standout of Hannah and Her Sisters; then as the Law & Order DA who tells Sam Waterston what to do and how to think. She aged between these roles and now is even older, the offbeat beauty of her youth having morphed into a mature visage of both astonishing expressiveness and grandmotherly inscrutability — a crucial element of her facile and felicitous performance as psychotherapist Gina Toll on HBO's In Treatment. Psychotherapy is a delicate, hyper-pressurized encounter in which change rests on an enduringly empathetic therapist (who is also capable of being perceived as such) imbuing contingent actions and words with novel meanings and potentialities. Gina's patient Paul, a former protégé who returns for guidance after a decade of estrangement that began when Gina denied him a promotion, is ever probing Gina's face for nefariousness. A sleepy spider lying in wait, is what Paul calls her: What secret motives lie covertly in the fragile folds of her jowls, in the puffy bags beneath her eyes, etched on her weblike cheeks? Her enigmatic expressions initially offend Paul, whose history with Gina predisposes him to read any ambiguity in her mien as perfunctorily negative. Not sharing this pervading bias, we enjoy the virtuosic, Emmy-winning face of this gorgeous old lady whose allure and gravitas make me want to ask her to run for president.  -- Kevin Hilke

From the Vault

Things that died in 2008.

Our president pledged as primary candidate to staunchly defend individual civil liberties and curb the domestic intelligence abuses of the Bush Administration. As the Democratic candidate, he hedged. As president-elect, he made stunning about-faces, notably on immunity for telecommunications companies who cooperated with Bush's illegal requests. Now, as president, he's continued as many of Bush's abuses as he's curtailed. Also, there was a time when John McCain wasn't an unprincipled, dishonorable bigot. He was quite the man, when he was a man. Then came a succubus to hasten his by then inevitable decline.

Neither Here nor There: Continua and Politics

Elliott Callahan

There is an old joke about easing yourself into a conversation in a party. If you want to join in, all you have to do is walk up and say “yes, but where do you draw the line?” and you will immediately find yourself right at the heart of the discussion. The reason this is funny, and the reason it works, is that most everything worth discussing is a continuum phenomenon. Issues are rarely a matter of ‘black and white,’ yet everyone seems to have an opinion about where one thing ends and another begins.

Take an example from ethics. While we all agree that killing is wrong, there are nonetheless cases where it is justifiable if not expected. If a bomber were en route to destroy an orphanage, you would surely have no problem shooting it out of the sky with minimal consideration for the lives of the crew. This is a clear example, but in the grey area between right and wrong is where controversy arises. Capital punishment, abortion and animal cruelty are instances where cut and dry morality breaks down, but where we still attempt to make definitive pronouncements.

0 or 1, there is no alternative

Few cases better illustrate this propensity than attitudes toward sexual orientation. Although we tend to lump people into the convenient categories of ‘gay’ and ’straight,’ the Kinsey Scale and the experiments predicated thereupon show us that this is a misrepresentation of the facts. In reality, sexual orientation involves a gradation from exclusively homosexual to exclusively heterosexual, although for general purposes of discussion, we often shoehorn everyone into two exclusive, and therefore oppressive, categories.

Another example of such gradation can be seen in the biological process of speciation. What line needs to be crossed for a lineage to be considered a separate species? This is a difficult question to answer, because speciation derives from a mounting number independent changes which make interbreeding more and more difficult and/or unlikely. Clearly, horses and donkeys, camels and llamas, and lions and tigers are different species, yet each of these pairs can still interbreed. In these cases, sufficient genetic deviation from a common ancestor has not yet occurred so as to prohibit reproduction, but they are well on their way to being separate species — we are witnessing the transition. Creationists use the absence of a definitive delineation between the concept of species and subspecies to question the idea of evolution. However, there is no line in the sand upon crossing which animals can no longer interbreed, and it’s senseless to demand one for the theory to be valid.

A final example comes from the field of linguistics, in dialectal variation. While we Americans have little trouble understanding British Received Pronunciation, we may have to struggle to parse some accents, such as Scottish, or Cockney. So, at what point does a dialect become a language of its own? Should the criterion be mutual intelligibility? If so, Spanish and Italian should be considered different dialects of the same language, and Sean Paul is not singing in English. Evidently, there is no strict dividing line between dialect and full-on separate language (some have even joked that a language is just a dialect with an army and a navy).


It’s obvious why we would develop a compartmentalizing method of classification. Indeed, deliberation and appreciation of exception may not have been an evolutionarily favored means of decision making to our ancestors on the savanna. But utile perception is not necessarily a faithful reflection of reality, and sometimes, it downright betrays it. This is why we should be careful not to give an absolute answer for the ‘in between’ cases, and to reserve invariable judgment.

Anyone who tries to give you a hard-and-fast rule for delineating issues on spectrum is surely a fool, yet in today’s politics, we are quick to throw out a final answer and call it a day. Issues like gay marriage and abortion pose difficult questions characteristically because there is no simple answer. There is no ‘magic line’ to tell when a clump of cells becomes a human, or what constitutes a family — if someone tells you otherwise, I promise you, they are wrong. Instead, we should approach these dilemmas with sensitivity befitting of their difficulty.

Category: Policy and Politics, Thought and Society

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