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Stuff We Like

  • The Vice Guide to North Korea

    North Korea

    This brilliant and disturbing documentary takes you deep into the shallows of Kim Jong Il’s hermit kingdom. Somehow, Vice Magazine’s Shane Smith (founder of VBS, Vice’s video division and star of their Guide to Travel series) and a clandestine-camera-wielding companion secure passage into North Korea from China -- pretending to be tourists, of course, because journalists go to jail. For an hour Smith explores the thin, saccharine veneer of majesty and might that the dictatorship uses to obscure the truth about the desperately impoverished and broken country. He mingles with eerily upbeat hosts, waitresses and tour guides, all hand-picked to chaperone him 24/7 during his stay (the pretense of which is to view and report on the Arirang Mass Games, a spectacular orgy of propaganda and gymnastics too baffling for words). Complete with a heartbreakingly awkward karaoke rendition of the Sex Pistol’s "Anarchy in the U.K.," this documentary is a must-see: a visceral primer for anyone interested in understanding the uniquely other-worldly yet backwards North Korea.  -- Adam Schaefer

  • The Art of Marco Fusinato

    Marco Fusinato

    Music, math, the interactive: these are three things that I really like, and Marco Fusinato's art includes them all. Mass Black Implosion is probably my favorite of his projects -- it reimagines musical scores, sometimes by overlaying them with scribbles of varying thickness (maps to some imagined territory), in architecturally-precise lines (an explosion into three dimensions), or as some kind of gloriously strange infographic for the world to come. Aetheric Plexus, in sharp contrast, turns audiovisual detail into interactive assault. It's difficult to get a sense of the scope of some of these works, but it's evident that Fusinato's gallery showings include a vast collaborative and musical component -- I'd love a chance to see some of this stuff live -- and I'm quite taken with his curatorial series You Don't Have to Call it Music, which tasks visual artists to create music.  -- Lauren Caldwell

  • Dianne Wiest's Old Face

    Dr. Gina Toll

    Dianne Wiest first struck me as the standout of Hannah and Her Sisters; then as the Law & Order DA who tells Sam Waterston what to do and how to think. She aged between these roles and now is even older, the offbeat beauty of her youth having morphed into a mature visage of both astonishing expressiveness and grandmotherly inscrutability — a crucial element of her facile and felicitous performance as psychotherapist Gina Toll on HBO's In Treatment. Psychotherapy is a delicate, hyper-pressurized encounter in which change rests on an enduringly empathetic therapist (who is also capable of being perceived as such) imbuing contingent actions and words with novel meanings and potentialities. Gina's patient Paul, a former protégé who returns for guidance after a decade of estrangement that began when Gina denied him a promotion, is ever probing Gina's face for nefariousness. A sleepy spider lying in wait, is what Paul calls her: What secret motives lie covertly in the fragile folds of her jowls, in the puffy bags beneath her eyes, etched on her weblike cheeks? Her enigmatic expressions initially offend Paul, whose history with Gina predisposes him to read any ambiguity in her mien as perfunctorily negative. Not sharing this pervading bias, we enjoy the virtuosic, Emmy-winning face of this gorgeous old lady whose allure and gravitas make me want to ask her to run for president.  -- Kevin Hilke

From the Vault

Things that died in 2008.

Our president pledged as primary candidate to staunchly defend individual civil liberties and curb the domestic intelligence abuses of the Bush Administration. As the Democratic candidate, he hedged. As president-elect, he made stunning about-faces, notably on immunity for telecommunications companies who cooperated with Bush's illegal requests. Now, as president, he's continued as many of Bush's abuses as he's curtailed. Also, there was a time when John McCain wasn't an unprincipled, dishonorable bigot. He was quite the man, when he was a man. Then came a succubus to hasten his by then inevitable decline.

drink deep

On Obama’s Surprise Inspired Peace Prize

Megan Stacy

Obama and one set of grandparents

Those who deride this honor as an award of aspiration are missing the point. It’s not about what Obama hopes or intends to do; it’s about the hope and intention he inspires in others. It’s about changing the way people see the world and what the world can be and what the world can produce. There’s nothing wrong with honoring someone whose eloquence and prominence brought about a November night filled with mass gatherings of happy tears, shouts of glee, and hugs for strangers in the streets of Chicago, Kenyan villages, Indonesian hamlets, and towns across the world that see Barack Obama as a little bit of their own.

The Light Hasn’t Gone Out

Megan Stacy

When I went to nursery school, I remember my mother folding my pancreatic enzymes, mixed with raspberry jam, between soft slices of bread, sparing me the long walk to the office for my medicine. I also remember three-hour car rides with my parents to spend 15 minutes with the most innovative doctors, crowded waiting rooms and watching a frustrated receptionist search for a translator to explain to an immigrant father that his son’s pulmonary function test might not be covered by his minimal insurance policy. By the age of six, I had a sense for health care in America.

Our Constipated Advocate

Kevin Hilke

We have a president, and irony of ironies a black one, who has been convinced that manning up on the defining civil rights issue of our age will get him evicted from the White House. Whether or not this prediction is a good one is irrelevant. Manning up is what Barack Obama was elected for. This is the job, however shabbily done by others, so he can shit or get off the pot. The longer he sits there perched without moving his bowels, the stronger the miasmic stench of his equivocating rhetoric, and the stronger his signal to Americans that with respect to gay rights, nothing has changed.

Information Gaps: Drug Labels and Medical Decisionmaking

Daniel Roth

Last week, a research team from Stanford University School of Medicine and the Veterans Affairs Palo Alto Health Care System published an essay in the New England Journal of Medicine suggesting that new drugs be labeled not only with what we know about them (which they now are), but also with an accounting of what we don’t know.

The Stanford researchers’ effort to clarify the ambiguity surrounding the comparative effectiveness of recently approved drugs is laudable. But their proposal that the FDA begin labeling drugs with measures of this comparative effectiveness both ignores the realities of how pharmaceutical innovation happens today and endorses a flawed decisionmaking model that could foster false security in patients and undermine their medical caregivers—the professionals who are trained to help each particular patient discriminate among drugs of the same class in a way a label cannot. Doctors can and do disagree about what constitutes a statistically significant difference between two drugs. Giving patients a nudge in the direction of involving themselves in that decision—and the confidence to do so—without properly equipping them to make informed decisions will diminish rather than improve the overall quality of patient care.

Nate Silver’s Radical Claim: Politicians Are People

Kevin Hilke

Shortly after Caroline Kennedy withdrew her name from consideration for the vacancy in the U.S. Senate created by Sen. Hillary Clinton’s resignation, Nate Silver published a brief and provocative piece entitled “Did Caroline Ever Really Want It?” in which he analyzes Kennedy’s withdrawal in a simple and radical way: as though she were a person.

The Plasma Spring